I was coaching a comic whose goal was to get from open mic to paying gigs. I started by asking a basic marketing question:
"Who's your audience?"
"Who's your audience?"
She didn't have a clue. After listening to
her material, I noticed that a lot of her jokes appealed to women, and her
material was mostly free of body part references. She was surprised when I told
her that there's a circuit out there for clean housewife comics where they make
$1,500 to $5,000 per gig. Why put up with obnoxious club drunks, when there's a
much better (and better paying) fit?
Most comics are crappy at marketing
themselves. It's no wonder that every time I hear someone say, "OMG, I saw
this comic last night who was hilarious!"
I'll ask, "Who was it?"
They'll enviably say, "I don't know...
SOME COMIC, but he was really funny!"
Like I say... crappy marketing.
Speakers, on the other hand, might not be
funny, but they sure know how to get jobs and make money. Comics can learn a
lot about making money from the speaking business.
Every speaker knows their message, their
brand, and their audience. After all, why develop a speech if there is no place
to give it. Comics, on the other hand, will have a machine gun approach about
what they joke about, hitting a lot of different topics. But joking about
EVERYTHING and trying to appeal to EVERYBODY, can not only dilute your humor,
but also limit your paying gig opportunities. Being the, "Funny real
estate comic," will get you a hell of a lot more work than being the
"Funny comic I saw last night."
Here are some smart speaker marketing moves
that comics can use. (These will also be featured in my upcoming
book, "The Message of You" St. Martin's Press, Jan 2013)
1. Find your tribe
It's not
enough to be funny; you need to find the people that think you're
funny. Many of my former students are finding paying gigs by focusing on
specific audiences, i.e. Jewish events, Christian, techies, health care
associations, women's organizations, and others. (Matter of fact, one of
my speaking clients is creating a very funny speech strictly for the US Beef
industry. Vegetarian jokes? Of course.)
Why bother
spending a lot of time perfecting a routine that may never find an
audience? You know who gets you - so go out and get them!
2. Work clean
By eliminating
the 7 dirty words, you'll find a hell of a lot more opportunities for paying
gigs. Save the f-bomb for open mics.
3. Form a mastermind group
Form a tight
group of 3 other comics or speakers who are as good as you are, have ambition,
and are in it for the long run.
Have weekly meetings where you research
opportunities and potential gigs, and recommend each other to clients after a
successful gig. Go to social.comedyworkshops.com to find comics or speakers to
hook up with.
Final Note: The
jobs are out there. I've just booked former students Kira Soltanovich,
Frances Dilorinzo, Vicki Barbolak, Cindy Burns, and Shannon Gettins for
full-fee women's gigs.
The biggest problem my clients have after
booking me, is finding someone to follow me for their next event.
It's a huge win-win when I can recommend my former students to my
clients. If you are interested in being referred by me, please make sure
you have your demo at ComedyDemo.com.
So -- what are YOU going to do about finding
YOUR audience? Please post your comments.
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